independent

Wednesday 18 September 2019

Colm Wilkinson

THE WICKLOW RESIDENT ON BEING BORN TO SING

IF COLM WILKINSON had the opportunity, he would tell himself 'not to take things so seriously', as his career burgeoned. He would counsel the younger man to 'relax, have more fun', admitting that his work, to some extent, has been the product of 'manic obsession'.

While he might spend a few more hours with family and friends and work a little less if he had his time over, it's his famous focus and dedication that have made Wilkinson the undisputed leading man of leading men.

'I can do nothing else but sing,' he said last week, sitting in the sunlight at Killruddery House's magnificent orangery. 'Music is my life. I would die without it.'

Vices like coffee, alcohol, cigarette, drugs of any kind, and even dairy products, are all contraband in the life of a star of musical theatre. He makes a habit of speaking softly, in measured tones. It shows - and then some. Colm's incredible and distinctive voice has been well looked after.

Voted one of the five greatest singers ever in Rolling Stone Magazine, his performances are as mesmerising as they were decades ago. He retains that vitality, vocal dexterity and strength; and an obvious affection for song and storytelling that he has always embraced.

Music was part of the very fabric of his Dublin childhood. Born in Drimnagh, in the downstairs room of his parents' house, Colm was one of 10 children.

He recalls a home that resonated with singing, poetry, and musical instruments of one kind or another.

Both of his parents were skilled musicians, and his apprenticeship began back then, in a house where the television was rarely turned on.

'In a way I was born in an acting and music school,' he said, on the training he got in his formative years.

His mother, a native of Crossmolina in County Mayo, was 'always singing' and involved in amateur dramatics, while the banjo and mandolin formed part of his father's extensive repertoire.

' There was no great plan. I never made a decision that this would be my career,' he explained. 'I just drifted into it. I was working with my father who was an asphalt contractor, and was playing in bands part-time.'

At just 16 years of age, he went to the US on a tour, and soon after that quit the family business to become a full-time professional musician.

Over 40 years ago, Colm married Deirdre, whom he describes as ' phenomenal woman,' his ' solid rock' and a source of constant and essential support over the past four decades.

They started their life as a married couple in Bray in 1970, and went on to have four children – Aaron, Judith, Sarah, and Simon. They still have their Wicklow home, yet now live mainly in Canada.

Aaron followed his dad into the music business to become a singer-songwriter, while the others all chose creative paths, going into careers in the arts and graphic design respectively.

As well as delivering the definitive performances in the world's most famous musicals – Jean Valjean in Les Misèrables, Phantom in The Phantom of the Opera, seminal roles in Evita and Dr. Jeckyll and Mr. Hyde - the Dubliner has turned his hand to television drama in recent years.

He played Lord Thomas Darcy in Morgan O'Sullivan's The Tudors, a role which had the gift of wonderful dialogue. The actor in Colm took on the character with his characteristic intensity.

Lord Darcy made a chilling return as a ghost after being beheaded for leading a rebellion against Henry VIII.

'I am among the dead. I have joined the ghosts of all your victims, your Grace,' was one unforgettable line expertly delivered during his appearance as spectre in the drama.

The part, of course, brought Wilkinson back to Ardmore Studios, and Bray, his other home.

' It was great to work with the people involved, and to be in Bray,' he said. ' Michael Hirst wrote a great part, with terrific dialogue.'

As a fledgling actor, he took some classes at the world-renowned RADA (Royal Academy of Dramatic Arts) in London, however, finding the time to go was tricky, as he was fortunate enough to have work at that time. 'I couldn't get time off to go,' he recalled. 'If you were unemployed you could go to RADA!'

He urges budding actors and singers today to get professional training, if they can, but exercise caution.

'It's good to have that graduation on your CV, but be careful who you go to and where you learn. Some singing teachers can taint the voice.'

He believes that anyone who has been singing themselves, with some success, should have what it takes to make a valuable teacher.

'I went to one or two guys when I started doing Les Misèrables,' said Colm. ' But I was already using those techniques having come by them through trial and error over time.'

He had served his time in rock 'n' roll bands, and acquired some skill on the road.

' To be in the entertainment business you need to have passion – an absolute love for what you do,' he said, describing the harrowing audition process for an out-of-work actor or singer.

'I've been lucky, but 80 per cent of us are unemployed at any give time.

Without the passion, that cannot be sustained. The next requirement is that you look after your instrument.

'It's a muscle; it needs to be maintained and trained,' explained Colm, returning to what he calls his ' hobby-horse'.

Getting enough sleep, following the correct diet, and maintaining good physical health are all a part of his job, as well as staying away from people with colds and other illnesses, while tepid water, garlic and honey are part of the toolkit. ' You have to be really boringly obsessive about watching your health. I live like a monk!'

It is, in fact 'a pain in the arse', he reckons, but those lifestyle choices pave the road to longevity.

Colm's wife and family are, and have always been, on board with that task, and Deirdre looks after her husband incredibly well. 'I am very fortunate. I have a wonderful backup team!'

He brought his family everywhere on tour with him. It was something that he insisted on, refusing to inflict separation on any of them. While he wonders sometimes if a more traditional upbringing would have been better, they got to see a fair amount of the world.

His life with Deirdre, their children, and his amazing job has taken Colm from country to country and tour to tour, even to a fond friendship with the late Ted Kennedy. However Dublin retains a special place in Colm's heart.

'Home is where the heart is,' he said. 'Dublin is very important to me. I never feel complete unless I am there.'

He has seen massive changes in his home town, and native country, over the last decade or so, most of them for the better.

'It's all good,' he said. 'If you forget the financial thing, it's great to see the remains of what the Celtic Tiger brought. There are roads, infrastructure, great restaurants, and still a little left of the Ireland that existed before the boom.'

Irish people, he added, are generally hospitable, with good manners. They are rarely aggressive or abrasive. ' They tend to be sensitive to other people. You meet a lot of hard edged people in my business.'

Colm represented his beloved country in the Eurovision in 1978, with self-penned song 'Born to Sing', and came fifth.

Describing the experience as 'terrifying', he hasn't watched the evolving event in the years since moving to Canada, so was not privy to Ireland's recent offering by the inimitable Jedward, which came a respectable eighth.

Rather than a glamorous affair, Wilkinson described the competition as 'a business', with a lot of publishers there keeping a close eye on the songs that did well.

Even now, he said, there is very little about music in the business of music. 'It's 80 per cent business, 20 per cent music,' he said.

On that note, illegal downloading is not a matter of huge concern to the singer, who's latest album Broadway and Beyond is out now.

'It's a double-edged sword,' he said. 'While the potential is there for people to effectively "steal" your music, the online market is also a godsend.'

Shops are dying, and the internet has opened his albums to a huge and unprecedented audience.

'There is a far bigger shop front,' he said, adding that people could always record albums onto tapes anyway. 'My records sell as far afield as Australia, and China.' And from at home in Ireland to America, Canada, the UK and more, Wilkinson is still packing them into some of the world's most prestigious venues.

The self-confessed workaholic delights in the atmosphere and participation that a concert invites. In August, in Bray, audience members can expect to encounter a man in good spirits, who encourages request, clapping, and singing along while he effortlessly serves up song after song.

As well as the iconic signature song 'Bring Him Home', from Les Misèrables - written for Wilkinson's unique voice, there will be other musical greats, and a selection of Colm's personal favourites – from The Beatles' She's Leaving Home, to Whiskey in the Jar.

Colm Wilkinson has set the standard in musical theatre. He is the original, the greatest, and remains the yardstick by which all others in the business measure their own work.

He will be joined in Bray on August 28 by Aine Whelan and Siobhán Pettit.

To find out more about Colm and his music go to www.colmwilkinson.com IF COLM WILKINSON had the opportunity, he would tell himself 'not to take things so seriously', as his career burgeoned. He would counsel the younger man to 'relax, have more fun', admitting that his work, to some extent, has been the product of 'manic obsession'.

While he might spend a few more hours with family and friends and work a little less if he had his time over, it's his famous focus and dedication that have made Wilkinson the undisputed leading man of leading men.

'I can do nothing else but sing,' he said last week, sitting in the sunlight at Killruddery House's magnificent orangery. 'Music is my life. I would die without it.'

Vices like coffee, alcohol, cigarette, drugs of any kind, and even dairy products, are all contraband in the life of a star of musical theatre. He makes a habit of speaking softly, in measured tones. It shows - and then some. Colm's incredible and distinctive voice has been well looked after.

Voted one of the five greatest singers ever in Rolling Stone Magazine, his performances are as mesmerising as they were decades ago. He retains that vitality, vocal dexterity and strength; and an obvious affection for song and storytelling that he has always embraced.

Music was part of the very fabric of his Dublin childhood. Born in Drimnagh, in the downstairs room of his parents' house, Colm was one of 10 children.

He recalls a home that resonated with singing, poetry, and musical instruments of one kind or another.

Both of his parents were skilled musicians, and his apprenticeship began back then, in a house where the television was rarely turned on.

'In a way I was born in an acting and music school,' he said, on the training he got in his formative years.

His mother, a native of Crossmolina in County Mayo, was 'always singing' and involved in amateur dramatics, while the banjo and mandolin formed part of his father's extensive repertoire.

' There was no great plan. I never made a decision that this would be my career,' he explained. 'I just drifted into it. I was working with my father who was an asphalt contractor, and was playing in bands part-time.'

At just 16 years of age, he went to the US on a tour, and soon after that quit the family business to become a full-time professional musician.

Over 40 years ago, Colm married Deirdre, whom he describes as ' phenomenal woman,' his ' solid rock' and a source of constant and essential support over the past four decades.

They started their life as a married couple in Bray in 1970, and went on to have four children – Aaron, Judith, Sarah, and Simon. They still have their Wicklow home, yet now live mainly in Canada.

Aaron followed his dad into the music business to become a singer-songwriter, while the others all chose creative paths, going into careers in the arts and graphic design respectively.

As well as delivering the definitive performances in the world's most famous musicals – Jean Valjean in Les Misèrables, Phantom in The Phantom of the Opera, seminal roles in Evita and Dr. Jeckyll and Mr. Hyde - the Dubliner has turned his hand to television drama in recent years.

He played Lord Thomas Darcy in Morgan O'Sullivan's The Tudors, a role which had the gift of wonderful dialogue. The actor in Colm took on the character with his characteristic intensity.

Lord Darcy made a chilling return as a ghost after being beheaded for leading a rebellion against Henry VIII.

'I am among the dead. I have joined the ghosts of all your victims, your Grace,' was one unforgettable line expertly delivered during his appearance as spectre in the drama.

The part, of course, brought Wilkinson back to Ardmore Studios, and Bray, his other home.

' It was great to work with the people involved, and to be in Bray,' he said. ' Michael Hirst wrote a great part, with terrific dialogue.'

As a fledgling actor, he took some classes at the world-renowned RADA (Royal Academy of Dramatic Arts) in London, however, finding the time to go was tricky, as he was fortunate enough to have work at that time. 'I couldn't get time off to go,' he recalled. 'If you were unemployed you could go to RADA!'

He urges budding actors and singers today to get professional training, if they can, but exercise caution.

'It's good to have that graduation on your CV, but be careful who you go to and where you learn. Some singing teachers can taint the voice.'

He believes that anyone who has been singing themselves, with some success, should have what it takes to make a valuable teacher.

'I went to one or two guys when I started doing Les Misèrables,' said Colm. ' But I was already using those techniques having come by them through trial and error over time.'

He had served his time in rock 'n' roll bands, and acquired some skill on the road.

' To be in the entertainment business you need to have passion – an absolute love for what you do,' he said, describing the harrowing audition process for an out-of-work actor or singer.

'I've been lucky, but 80 per cent of us are unemployed at any give time.

Without the passion, that cannot be sustained. The next requirement is that you look after your instrument.

'It's a muscle; it needs to be maintained and trained,' explained Colm, returning to what he calls his ' hobby-horse'.

Getting enough sleep, following the correct diet, and maintaining good physical health are all a part of his job, as well as staying away from people with colds and other illnesses, while tepid water, garlic and honey are part of the toolkit. ' You have to be really boringly obsessive about watching your health. I live like a monk!'

It is, in fact 'a pain in the arse', he reckons, but those lifestyle choices pave the road to longevity.

Colm's wife and family are, and have always been, on board with that task, and Deirdre looks after her husband incredibly well. 'I am very fortunate. I have a wonderful backup team!'

He brought his family everywhere on tour with him. It was something that he insisted on, refusing to inflict separation on any of them. While he wonders sometimes if a more traditional upbringing would have been better, they got to see a fair amount of the world.

His life with Deirdre, their children, and his amazing job has taken Colm from country to country and tour to tour, even to a fond friendship with the late Ted Kennedy. However Dublin retains a special place in Colm's heart.

'Home is where the heart is,' he said. 'Dublin is very important to me. I never feel complete unless I am there.'

He has seen massive changes in his home town, and native country, over the last decade or so, most of them for the better.

'It's all good,' he said. 'If you forget the financial thing, it's great to see the remains of what the Celtic Tiger brought. There are roads, infrastructure, great restaurants, and still a little left of the Ireland that existed before the boom.'

Irish people, he added, are generally hospitable, with good manners. They are rarely aggressive or abrasive. ' They tend to be sensitive to other people. You meet a lot of hard edged people in my business.'

Colm represented his beloved country in the Eurovision in 1978, with self-penned song 'Born to Sing', and came fifth.

Describing the experience as 'terrifying', he hasn't watched the evolving event in the years since moving to Canada, so was not privy to Ireland's recent offering by the inimitable Jedward, which came a respectable eighth.

Rather than a glamorous affair, Wilkinson described the competition as 'a business', with a lot of publishers there keeping a close eye on the songs that did well.

Even now, he said, there is very little about music in the business of music. 'It's 80 per cent business, 20 per cent music,' he said.

On that note, illegal downloading is not a matter of huge concern to the singer, who's latest album Broadway and Beyond is out now.

'It's a double-edged sword,' he said. 'While the potential is there for people to effectively "steal" your music, the online market is also a godsend.'

Shops are dying, and the internet has opened his albums to a huge and unprecedented audience.

'There is a far bigger shop front,' he said, adding that people could always record albums onto tapes anyway. 'My records sell as far afield as Australia, and China.' And from at home in Ireland to America, Canada, the UK and more, Wilkinson is still packing them into some of the world's most prestigious venues.

The self-confessed workaholic delights in the atmosphere and participation that a concert invites. In August, in Bray, audience members can expect to encounter a man in good spirits, who encourages request, clapping, and singing along while he effortlessly serves up song after song.

As well as the iconic signature song 'Bring Him Home', from Les Misèrables - written for Wilkinson's unique voice, there will be other musical greats, and a selection of Colm's personal favourites – from The Beatles' She's Leaving Home, to Whiskey in the Jar.

Colm Wilkinson has set the standard in musical theatre. He is the original, the greatest, and remains the yardstick by which all others in the business measure their own work.

He will be joined in Bray on August 28 by Aine Whelan and Siobhán Pettit.

To find out more about Colm and his music go to www.colmwilkinson.com

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