Mary Kenny: Why not Bridget Jones's Abortion?
When it comes to movies, babies are better for the box office
Everyone seems to love Bridget Jones. The cinema was full - 98pc female - and the audience laughed, clapped and empathised with Bridget (the fabulous Renée Zellweger) and her zany antics. She drinks a bottle of vodka at a rock concert, falls on her face in the mud, and then falls into bed with a hunky stranger in his yurt.
Bumping into her ex at a christening party, she slugs back the wine and he slugs back the whiskey and the next thing they're deep into the four-poster bed, and, as one American critic so reticently puts it, "nature duly takes its course". What a lark!
And thus we have the very popular new movie Bridget Jones's Baby. But wait: why didn't producers Working Title consider a film called Bridget Jones's Abortion? Look at the facts. Bridget is 43; she's got a big job at a London TV channel; she carries around a dolphin-friendly female contraceptive indicating she wants to avoid a pregnancy; and she can't figure out who's the daddy.