Preoccupied by historical rhythms of rural resistance
Ken Loach's whole approach shows contempt for his Irish viewers, writes John-Paul McCarthy
THE British Film Institute (BFI) is currently organising a celebratory retrospective programme for Ken Loach, and this has prompted some admiring profiles of the film-maker.
The BFI's tribute to Loach's craftsmanship raises once again the question that dogged his self-pitying Irish film, The Wind that Shakes the Barley; what precisely is wrong with him?
Loach's admirers usually take refuge in the idea that those of us who resent his hectoring foray into our war of independence dislike him because his 'radical' message makes us uncomfortable.