The Aftermath review: 'Throws away its historic potential, but Jason Clarke is excellent'
James Kent’s handsome, stately period drama is based on a novel by Rhidian Brook and boasts a fascinating context.
It’s the winter of 1946, and the city of Hamburg has been all but obliterated by Bomber Harris when Rachel Morgan (Keira Knightley) arrives to meet her husband Lewis (Jason Clarke), an army colonel.
They’re billeted in a grand mansion owned by an architect called Lubert (Alexander Skarsgard), who must decamp to the attic.
But Herr Lubert is handsome, and the Morgans’ marriage is troubled. Kent’s film is watchable though slow, and throws away its historic potential, but Jason Clarke is excellent.
Also releasing this week:Hole in the Ground review: Seana Kerslake shines as desperate mother in Lee Cronin's assured and creepy debut Fighting With My Family review: 'Delightful, and enlightening, dramatisation of WWE wrestler Paige's path to stardom' Foxtrot review: 'A clever, funny, unsettling film' Sauvage review: 'Never succumbs to sentiment, and retains a fierce focus'