Interview by Barry Egan
Tom Waits was asked in Vanity Fair’s ‘Proust Questionnaire’ a few years ago about his favourite occupation. Blacksmith, ventriloquist, magician, jockey, train conductor, tree surgeon and lion tamer, came the reply.
Belfast-born performer Duke Special looks like he could be gainfully employed in all of these professions and then some (mystic, kite-flier, horse-whisperer etc). The troubadour has that other-worldly aura to him — a bit like Mr Waits, in fact.
“I used to think as an artist that you had to be really messed up,” he says, happily not messed-up at all.
He adds that there are a lot of artists that he admires who ended up self-destructing — Ian Curtis, Kurt Cobain, Elliott Smith — “but what I’m learning from people like Tom Waits is that you can create the most spectacularly crazy art and maintain a life that’s healthy at the same time.
I have stared over the precipice, and looked into the shadows
“I have stared over the precipice,” he adds, “and looked into the shadows.”
And what did he see in the shadows? “The capacity for all kinds of awfulness, which I think we all have. But I think it is what you choose to dwell on and what you choose to find hope in. Those are the things that make us human and throw us back from that.”
He has just performed a serenely spiritual reworking of Neil Young’s Harvest Moon for the Windmill Lane Sessions on Independent.ie.
And it’s a privilege to meet this special songwriter who was originally born Peter Wilson. He lived near a small wooded area in Downpatrick and wrote his first song as a teenager up a tree in the woods — he changed the lyrics to Jilted John’s Gordon Is A Moron.
I ask him what’s the difference between Peter Wilson and Duke Special.
“I guess when I decided I was going to be a solo artist — I’d been in bands before, and I loved that bands had a gang mentality. My name is Peter Wilson. And there are a few Peter Wilsons in the world. In Northern Ireland, where I live, Peter Wilson is a...some would say ‘common’, I would say ‘popular’ name.”
He smiles. “So I kind of wanted something that was like a costume to climb into when I went onstage, because, like it or not, when you go onstage, you are a performer — you are an amplified version of yourself. And that is the same whether you are a preacher, a politician or a singer. So it felt appropriate to have a new name.
“Also, I found it useful as a writer to have this voice where I can voice what I’m thinking. In the same way as any writer can put opinions into the mouths of the characters. So, in some ways, to answer your question, it’s like a character. It is Duke Special, but it’s also an outlet for me to say what I think.”
So am I speaking to Duke Special now or Peter Wilson?
How much of himself did he reveal with his 2006 album, Songs From The Deep Forest?
“It’s interesting when you write a song, because sometimes it might have its origin in an experience — but as you progress in the writing of it, it can go wherever it wants.
“Some of the songs would have been actual things that happened to me, things that I’d been reflecting on. One of them is a song called Something Might Happen where I witnessed, very sadly, someone jumping into a river in Wexford years ago. I was sitting in a cafe and couldn’t get to the person in time.”
His new album, Look Out Machines! is beautifully visceral piece of music.
“There isn’t any overarching concept,” he says. “Inevitably, when you make an album it is like a snapshot of you at that particular time and you have to give it a title.
“One of the songs is about fighting,” he adds with characteristic poetic presence. “Fighting against systems, regimes — anything that made us feel less than human.”
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