Review: Modfather’s rocking but hits missing
Rock: Paul Weller, Olympia, Dublin
It is somewhat surprising that so few live bands bother with the old two drummers trick. James Brown and Adam and the Ants made a spectacle out of themselves by having an extra man behind the kit. The Fall, Pavement, Slipknot and Arcade Fire have since dabbled in double drumming, and now Paul Weller's latest crack squad of musicians doubles the usual percussive quota.
'White Sky', from his twelfth studio album Saturn's Pattern, is a blistering blast of raucous rock 'n' roll. The recipe for a Weller set list remains the same as recent years. There are about three songs from The Jam, who dramatically kick-started his career back in 1976, and about three songs from The Style Council, his derided 1980s project that holds up remarkably well. The rest encompasses his prolific solo career since 1991.
There is a very business-like, no-nonsense approach. Thank yous and song introductions are kept to a bare minimum. The perma-tanned Modfather is clad in grey and natty black-and-white brogues, looking every inch the rock icon.
It looks and sounds great, but anyone expecting a best-of set is bound to be slightly disappointed, although admittedly the audience are clearly populated by his hardcore. Patience is rewarded by an irresistible version of 'Start!' and its classic refrain of "and what you give is what you get".
You'd think the encores section is where he'd start to bang out the hits, but not before renditions of newer songs 'Pick it Up' and 'These City Streets'.
Weller clearly poo-poos nostalgia, which is all well and good, but a bit more balance towards pleasing a paying audience wouldn't go astray.
Before his final bow, Weller finally delivers brilliant versions of 'The Changingman' and the timeless number-one hit from 1982, 'A Town Called Malice', which has lost none of its spiky brilliance.
Weller gives a good show, but a more hit-studded set list would make it a great one.