independent

Sunday 20 April 2014

UK designer defends Syria war game

The video game Endgame: Syria is based on Syria's civil war (AP/Auroch Digital Ltd)

The British designer of a new video game based on Syria's civil war says he hopes it will inform people who might otherwise remain ignorant about the conflict.

Endgame Syria challenges players to make the hard choices facing the country's rebels. Is it better to negotiate peace with the regime of President Bashar Assad, for example, or dispatch jihadist fighters to kill pro-government thugs?

Views differ, however, on the appropriateness of using a video game to discuss a complex crisis that has killed more than 60,000 people since March 2011.

Computer giant Apple has refused to distribute the game and some consider the mere idea insulting. But others love it and one fan from inside Syria has suggested changes to make the game better mirror the actual war.

The dispute comes amid wider arguments about violent video games since last month's shooting in Newtown, Connecticut, that left 20 children and six adults dead. This week, the National Rifle Association revised the recommended age for a new shooting game after criticisms by liberal groups.

Tomas Rawlings, who designed the Syria game, said he got the idea while watching TV pundits debate the possible consequences of directly arming Syria's rebels, which Western nations have declined to do. He said he thought a game could explore such questions by allowing players to make choices and see their consequences. "For those who don't want to read a newspaper but still care about the world, this is a way for them to find out about things," said Mr Rawlings, design and production director of Bristol-based Auroch Digital.

In the simple game, which took about two weeks to build, the player assumes the role of the rebels seeking to topple Assad's regime. The play alternates between political and military stages. In each stage, the player sees cards representing regime actions and must choose the rebel response. The choices seek to mirror the real conflict. The regime may get declarations of support from Russia, China or Iran to boost its popularity while the rebels receive support from the United States, Turkey or Saudi Arabia - reflecting the foreign powers backing the two sides.

In battle, the regime may deploy conventional military forces like infantry, tanks and artillery as well as pro-government thugs known as shabiha. The rebels' choices include sympathetic Palestinian or Kurdish militias, assassins or jihadist fighters known as muhajideen. Some of the rebels' strongest attacks also kill civilians, reducing rebel popularity and seeking to reflect the war's complexity.

All along, the player is given basic information about the conflict, learning that Islamists once persecuted by the regime now consider the fight a holy war and that the shabiha are accused of massacring civilians.

The game ends when one side loses its support or the sides agree to a peace deal. The player is then told what follows. The longer the fighting lasts, the worse the aftermath, as chaos, sectarian conflict and Islamic militancy spread. The lasting impression is that no matter which side wins, Syria loses.

Press Association

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